Teens’ screens: the places, values, and roles of film consumption and cinema-going for young audiences

This thesis is an investigation into the practices, values, and roles of cinemagoing and film-watching for contemporary British teenagers using qualitative research methods. My key concern is with how 13-18 year olds from different backgrounds define and discuss their film consumption, and visits to different cinemas, in the wider contexts of their leisure, cultural, and media practices. This focus stems from the scholarly appeal for a social contextualization of audiences and the structures that inform peoples’ consumption practice. Many groups experience barriers to participation with particular cinemas that are not simply a consequence of economic deprivation or a lack of media literacy. These are barriers that are felt at the level of what Bourdieu calls the habitus, the system of cultural tastes and dispositions that are lived at the physical or bodily level. To this end, I conducted focus groups, interviews, and participant observation encounters with 42 teenagers in different settings within Norwich and Norfolk. Data analysis is undertaken via the application of a coding system, formulated through a Bourdieusian conceptual lens. I consider participants’ film and media consumption practices in relation to area of residence, sociocultural preferences and friendship formations, whilst also considering issues of identity, education, and parental practices. As part of the process I present the case of specialised film and cinema-going as a case-study in order to address a concern about the dearth of young audiences engaging with specialised cinema. The rich, deep qualitative data collected has enabled me to argue that generally young people’s socio-economic, geographic, familial, peer-grouping, and educational contexts remained a significant influence on film viewing practices, tastes, and gratifications, although some anomalies were present. My research therefore presents new findings on how different groups of young people attach diverse meanings and roles to film viewing practices, texts and locations in cinemas and beyond

Assessing the Dream-Lag Effect for REM and NREM Stage 2 Dreams

This study investigates evidence, from dream reports, for memory consolidation during sleep. It is well-known that events andmemories from waking life can be incorporated into dreams. These incorporations can be a literal replication of what occurredin waking life, or, more often, they can be partial or indirect. Two types of temporal relationship have been found tocharacterize the time of occurrence of a daytime event and the reappearance or incorporation of its features in a dream. Thesetemporal relationships are referred to as the day-residue or immediate incorporation effect, where there is the reappearance offeatures from events occurring on the immediately preceding day, and the dream-lag effect, where there is the reappearanceof features from events occurring 5–7 days prior to the dream. Previous work on the dream-lag effect has used spontaneoushome recalled dream reports, which can be from Rapid Eye Movement Sleep (REM) and from non-Rapid Eye Movement Sleep(NREM). This study addresses whether the dream-lag effect occurs only for REM sleep dreams, or for both REM and NREM stage2 (N2) dreams. 20 participants kept a daily diary for over a week before sleeping in the sleep laboratory for 2 nights. REM andN2 dreams collected in the laboratory were transcribed and each participant rated the level of correspondence between everydream report and every diary record. The dream-lag effect was found for REM but not N2 dreams. Further analysis indicatedthat this result was not due to N2 dream reports being shorter, in terms of number of words, than the REM dream reports.These results provide evidence for a 7-day sleep-dependent non-linear memory consolidation process that is specific to REMsleep, and accord with proposals for the importance of REM sleep to emotional memory consolidation

“Red Dog: Film of the Year”

This article seeks to provide an overview and analysis of the 2011 Australian film, Red Dog as a popular cultural product from Western Australia. Set in a working class mining community in the 1970s, I argue that it provides a new outback legend in the form of Red Dog. This article stems from a review of Red Dog as Film of the Year written for the forthcoming Directory of World Cinema: Australian and New Zealand Second Edition from Intellect Books

“Red Dog: Film of the Year”

This article seeks to provide an overview and analysis of the 2011 Australian film, Red Dog as a popular cultural product from Western Australia. Set in a working class mining community in the 1970s, I argue that it provides a new outback legend in the form of Red Dog. This article stems from a review of Red Dog as Film of the Year written for the forthcoming Directory of World Cinema: Australian and New Zealand Second Edition from Intellect Book

CHIKV challenge.

<p>Mosquitoes were allowed to feed on artificial blood meals containing virus suspension and 7 days post infection 35–50 females were used for forced salivation. Samples were titrated by focus fluorescent assay on <i>Ae. albopictus</i> C6/36 cells. The transmission rate was estimated as the percentage of mosquitoes with infectious saliva among tested mosquitoes (A). Saliva samples were titrated by focus fluorescent assay on C6/36 <i>Ae. albopictus</i> cell culture. The total number of plaques was counted and the titer was calculated as FFU/saliva (B). No significant difference was found between Uju.wt and UjuT viral titers using a Wilcoxon rank sum test.</p

Mating competitiveness of Uju.wMel males.

<p>Competitiveness of Uju.wMel males was assessed using three independent replicates of 50 male Uju.wMel : 50 male Uju.wt (<i>w</i>AlbA/B) : 50 females of either Uju.wMel or Uju.wt (total of 300 females in six cages). Hatching embryos indicated a compatible cross where both male and female parents were infected with the same <i>Wolbachia</i>. Error bars show the SEM. No significant differences in male mating competitiveness were found between the two lines with Chi-squared analysis using a likelihood framework.</p

Hatch rate and fecundity of Uju.wMel.

<p>Egg hatch (A) and fecundity or mean number of eggs produced per female per gonotrophic cycle (B) of Uju.wMel was assessed at generation sixteen. Females were blood fed at six days post eclosion, individualized for laying, and eggs hatched after five days. Second instar larvae were counted to calculate percent hatch (A) and eggs per batch per female counted to give fecundity (B). A: Uju.wMel n = 452, UjuT n = 858, Uju.wt n = 508. B: Uju.wMel n = 16, UjuT n = 14, Uju.wt n = 20. Error bars represent the SEM.</p

Correspondence between REM dream reports and diary records as a function of time period.

<p>Mean correspondence scores (and Standard Deviations) between REM dream reports and diary records as a function of time period between diary day and dream. * p≤.05 (Wilcoxon test).</p

Example portion of a matrix used to record correspondence ratings (0–4) between dream reports and diary records.

<p>Example portion of a matrix used to record correspondence ratings (0–4) between dream reports and diary records.</p

Correspondence between N2 dream reports and diary records as a function of time.

<p>Mean correspondence scores (and Standard Deviations) between N2 dream reports and diary records as a function of time between diary day and dream.</p